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One of my first big undertakings in the sacristy was to restore some old alb laces found in a suitcase in the top of a closet. The strips were tiny brown balls and looked nothing like lace.  After gently unraveling the dirty bundles, the bobbin lace revealed itself in all its splendor.  Old laces may never again be truly white-white, but you can come pretty close with some tender loving care and patience.

Most of the best 19th century bobbin lace came from Brussels, Venice, or England.  Some convents began lace schools to teach young women a trade.  Bobbin lace is worked on a cushion with fine linen or cotton thread, pins and spindle-like bobbins.  Hand-made lace is highly collectible and valuable.  Eventually machine-made laces proved cheaper and faster to make, but did not have the gossamer delicacy and airy-ness of handmade.

I first called Katy Kliot at LACIS in Berkely, California (see our links) who suggested using BIZ to clean and brighten the laces.  I found that soaking the laces, and changing the water as it became soiled, loosened up most of the dirt and dust.  Laces must be handled gently while washing so as not to break the “brides”- or the thin connecting threads which hold together the motifs. Sometimes I slipped a spatula under the laces to turn them. Never wring or twist lace, or lift it up while it is saturated- the weight of the water will snap the threads.  This takes patience.  When the Biz has been added to warm water, agitate the detergent to a froth with your hands , then lay in the lace for the soakings. I like to use a plastic dish pan for this process.  When the rinsing phase is through, lay the lace on a clean white terry towel and gently pat the lace in an up and down motion which will absorb a great deal of the water.  Gently press the lace out with your hand on the towel, smoothing the motifs into place.  I then place the towel on my picnic table out in the sun where the brightening rays will do wonders for whitening the lace.  When completely dry, store in acid -free tissue,  as flat as space permits.

Insertion laces are easy to spot, the edges will be perfectly straight on both sides.  Alb and surplice  hem or sleeve laces usually have one straight edge and one scalloped or irregular patterned edge.  Insertion lace was applied to hems of surplices or albs, then the back cloth was cut away to reveal the lace in front.  Generally priests, bishops, Masters of Ceremony, and older altar servers wear the insertion style laces, very young servers have hanging lace on their cottas at the hem.

In the photo above I am getting the procession ready. Young Lucas has a stubborn cowlick that won’t lay down!   Do you have an Acolyte Matron to assist before services?  If there is a large acolyte guild, one or two people dedicated to keeping the vestments tidy and assisting with young members can be a godsend- and a lot of fun.  Youngsters often need prompting to wash hands, comb hair, stand up straight, be quiet, and be ready on time. The position of Acolyte Matron is seen often in England for servers and young choirs.

Clergy always appreciates clean, laid-out vestments, ready to put on with no worries.  Lace is making a comeback in the new vestment catalogues. Mostly it is detachable and synthetic on albs and easy to launder.  In the good old days, nuns loosely stitched lace on so it could be removed for laundering.  Now we have snaps and Velcro!  All photos above are from Saint John the Evangelist in Newport, December 2000.

Yes- that is Father Douglas Burger from Woonsocket in the photo above, serving at Midnight Mass as Deacon in his dalmatic.

We had an email about crocheted edgings on three or four corners and here is a pattern which addresses that situation and is also lovely, The Cross & Tudor Rose pattern has been around for awhile and was revived in the late 1960′s when needlecrafts again became popular. Notice how smooth and flat the corners lay using this approach for small linens or large ones. Just left mouse click on the photo and a larger version will open up for you to print out.

This pattern makes a nice insertion on fair linen ends or cottas and surplices. Right click your mouse to save the image below to your computer for printing out. The pattern directions will come out clear and readable. The date on this pattern is 1955.

cross and star

roseirish-crochet3 From the booklet of Saint Veronica’s Guild,  1921 and just in time for Saint Patrick’s Day, here are the familiar rosette and fan pattern which was a popular edging for albs and surplices for so many years.

cottairish-crochet

a

fanirish-crochet2

b

Here are three from Coats and Clark’s 1956 The lily and chalice would be lovely for Easter Sunday.

crochet1

Remember to right click the image and save to your computer to print out at full size.

This week’s filet crochet pattern 1956 from Coats and Clark’s

Save this photo by right clicking on the diagram and saving it to your computer.  It will print out full-sized.

angel-and-crossfilet1

st_monica_picture1Here is a simple filet crochet lace edging pattern for the ends of a fair linen, or even the hem of an alb.  Usually a number 13 steel hook is used with Size 30 mercerized crochet cotton thread, but a smaller or larger size can be substituted depending on how fine or heavy you want the finished product to look.

The I.H.S. pattern is an old one, and comes from a lovely little book put out by The Order of Saint Veronica, which was a Roman Catholic society which aided poor mission chapels by collecting money for linens and creating Veronica Boxes filled with beautiful homemade linens and vestments which were shipped out to needy missions.  Saint Monica is traditionally considered the Patroness of married women. 

ihsfilet

 

Pattern of the week for filet crochet lovers!  UK pattern circa 1906.

fleur-de-lis-lace

As we approach 10,000 visits to topics on this site, it is interesting to see what has proved most interesting to readers.  The top “hits” to the site have concerned how to make Advent wreaths with 439 visits to that topic.  The second favorite is filet crochet for church linens and vestments.  Some of the old patterns so popular in the 1940′s and 50′s are much in demand.  I have collected these for many years, along with edging patterns. I will be delving into the archive to reproduce these here on the site.  In all cases, the companies which published these patterns and pattern booklets are now out of business, some patterns are even older and go back to the turn of the twentieth century.  Right click on the photo of the pattern to save it to your computer and select “full page print” for your printer properties when you print the pattern out for your own use.  With all the bad weather we have been having lately, it seems a good time to crochet! This one is from London, 1905 from Weldon’s Ecclesiastical Laces.

crocheted-cincture3

The nuns, who did such beautiful tatting and filet crochet work for the altar and vestments, also made these wonderful tassels for the ends of the priests’ cinctures. They can be made in any liturgical color but black or white were the usual choices.  This pattern is from a little book of religious crochet items from the 1930′s from Star brand thread which is now out of print.  These are quick and easy to make and might make a welcome addition to your sacristy.

Materials
Crochet cotton thread size 20 (1 300-yd ball will make 3 tassels)
Steel crochet hook No. 11

Cap for Tassel: Ch 5, join to form a ring, work 6 sc in ring (do not join rnds).
Rnd 2 2 sc in ea sc
Rnd 3 * 1 sc in next sc, 2 sc in next sc, repeat from * 5 times.
Rnd 4 * 1 sc in each of next 2 sc, 2 sc in next sc, repeat from * 5 times.
Rnd 5 * 1 sc in each of next 3 sc, 2 sc in next sc, repeat from * 5 times.
Rnd 6 * 1 sc in each of next 4 sc, 2 sc in next sc, repeat from * 5 times. (36 sc)
Work 8 rounds of sc even, then sl st to next st.
Rnd 15 Work puff sts. (Puff st: Ch 3, thread over, insert needle in same space with ch 3, thread over and pull through, thread over, insert needle in same space, thread over and pull through, thread over, insert needle in same space, thread over and pull through, thread over and pull through all loops but one, thread over and pull through remaining loops) skip 3 sc, sc in next sc, repeat puff sts all around.
Row 16 Sl st over ch-3 of puff st of previous rnd and work a puff st, sc over ch-3 of next puff st, repeat puff sts all around. Work 2 more rnds of puff sts, break thread.

Tassel Over a 5 inch cardboard wind thread 300 times, cut through one end, with a long thread tie through center, draw the long thread through center ring of cap. Attach thread and work in sc over the thread about 18 inches, fasten in tassel under cap and cut thread same length as tassel.

St. Peter’s-by-the-Sea Narragansett

click image for web site

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